TO: I almost gave up a couple of times, but I've always set the bar low enough for myself, so I can barely manage to complete the next step. Was there a point where you thought this project is impossible and almost gave up? What do you think draws players to games made by a single developer? GR: From the behind-the-scenes video you posted on YouTube, I noticed how intricate the whole process is, from creating the paper worlds to programming everything as a video game, which you did by yourself. RELATED: Interview: Developer Tako Boy Aims to Subvert Expectations with Card Battler/RPG Cross Blitz I wouldn't be able to afford it, and also, there would always be some missing language to do. The matter of translations is another thing. Also, I'm not a master of storytelling nor writing, so I would find no joy in figuring out the dialogues. TO: My first thought was to just tell the story without words so that everyone will understand it. When it comes to the shapes of paper models, my passion comes from observing strange creatures, so the fascination with the world of insects and microbiology is my inspiration. Playing with light is something that I started when I studied architecture, so that helped a lot. Not using color made it much easier but at the same time a lot more difficult because it meant that I could not bring out the game elements through the color of the material - only through lighting, and secondly through shape and texture. However, the nature of the paper convinced me more, its characteristic allows me to focus only on form and light when sculpting. Tomasz Ostafin: Paper was the final choice for me to create the Papetura world, although I had plasticine and clay in my mind. What was your inspiration in creating these paper crafts, and was it something you were always passionate about? Game Rant: Papetura features handcrafted paper creations. RELATED: Pathway Interview: Bachmann Brothers Talk TinTin, Art Inspiration, and Switch Port Difficulties
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